Wednesday, February 6, 2013

Musing On Small Batch Bourbons & Tasting A Trio: Michter's US1, Four Roses, & Larceny

Batch labelled Bourbon


Something about hardship sends me back to the warm comforts of America's native spirit. Hurricane Sandy's aftermath's weeks of powerless dark and cold required the careful administration of most of my remaining Wild Turkey Kentucky Spirit. My father is ailing and, when I last saw him I ended up surveying the cabinet with the question from so many Bardstown t-shirts on my lips: "Got Bourbon?" Soon I found myself returning from Ledger's (the East Bay's best whisky shop, hands down) with several examples calling themselves "Small Batch".

Now, the term "Small Batch" is a made up marketing term in the bourbon world with no legal status in the US. The term attempts to designate a carefully curated selection of barrels. Batched, vatted, to achieve a consistent signature - but (it is hoped to convey) with a measure of that selective discrimination that single barrel products enjoy. In the realm of bourbon brokers, who get spirits from more than one distillery, small batch can be a way to make a distinctive, brand-able product. This is the case for popular small batch IB bourbons such as KBD's Noah's Mill and Rowan's Creek. They vat 12 casks together to make each small batch (the number of casks determined by the size of the marrying tun) - and no one knows the true provenance (at least not publicly). KDB and brands like Michter's sell brokered single barrel whisky - but also small batch versions that let them barrel average to get a consistent product that has the story of a carefully curated product. At Four Roses, the two mash bills and five strains of yeast give Rutledge & Co. a real reason for a small batch: to combine the various flavor signatures of their various recipes to craft a commoned-up flavor signature. Many small distilleries, such as craft & start ups, call their products "small batch" - but it's a bit of a joke because their entire run isn't anything but. Yet the term has an allure - so it is widely used.

I found a fascinating conversation about the origin of the term on Bourbonenthusiast.com, with participation by some very knowledgeable people including noted bourbon author Chuck Cowdery, author of Bourbon Straight, and either Linda or John from http://ellenjaye.com/

EllenJ: "It has always been my understanding that Freddy Noe has been credited with inventing the small batch marketing concept for Beam's small batch collection of; Booker's, Baker's, Knob Creek, & Basil Hayden's. The batch refers to the number of barrels selected that meet the flavor profile for bottling and not to the number of barrels distilled from any given amount of fermentation going into the stills."

Chuck Cowdery: "As for "Small Batch," no one had used the term before Beam introduced the "Small Batch Bourbons Collection" in 1988 or 89. I was doing work for them at the time, including on the SBBC itself, and asked what it meant. They said it referred to the selection of a small number of barrels for a bottling batch. There was never a specific number. ... The reality is that "small batch" means whatever the producer who puts those words on a label wants it to mean, or nothing at all. It means somebody thought the product would sell better if it had the words "small batch" on it."

Gillmang "I agree with everything people have said and would only add, that "batch distillation" has another, narrower meaning of pot still vs. continuous (column) still operation."

http://www.bourbonenthusiast.com/forum/viewtopic.php?f=4&t=3901

I love the last bit about how small batch implies batched pot still distillation - in the face of the reality that most bourbon is run continuously on column stills. The term is vague, and perhaps a bit misleading - but we all understand the gist. Some barrel averaging is happening, but also some deliberate barrel selection.

I'm fascinated by the issue of barrel averaging versus single cask in a broader and almost philosophical sense. In astronomy and photography, image stacking is a powerful tool that reveals hidden details by taking many average images and assembling them together to get a whole greater than the sum of its parts as brief moments of clear seeing accumulate. Digitally averaged faces appear more attractive than the average individual's face in studies of what people find attractive in ways that are a bit mysterious but have to do with the allure of perfect medians and the averaging out of individual's flaws. In the whisky world barrel averaging and blending is done on a variety of levels for a variety of reasons. Averaging lends uniformity which yields consistency - a sterling goal for branding. No one wants a branded labelled product to vary; sometimes good, sometimes less so. Different colors, variations in flavor from batch to batch are reminders of hand craft - stigmatized as backward and amateurish in the rise of an industrial economy that promised products with consistency and interchangeability. In this context, big Canadian whisky distilleries, for example, will dump upwards of 50,000 liters in specially made giant marrying tuns to conquer batch variations and make a spot on consistent product.

But, while averaged faces trump the average individual' face in attractiveness studies, real humans are individuals with asymmetries and defects that mark actual phenotypes and the signs of a life lived. Truly attractive people mix classic beauty and these marks of individuality and this goes for casks of whisky too. The independent bottlers live for single cask offerings with something distinctive. An IB's reputation stands on it's ability to pick winning casks. In the bourbon world, since Blanton's, single cask offerings signify 'special hand picked casks'. Single barrel offerings have batch variation to be sure - but represent, generally speaking, the best the distillery has to offer. "Small Batch" is meant to indicate an intermediate level of quality between single barrel and cheap, younger, massed offerings. Indeed, that is how most of them are priced. The question for me in this head to head tasting (which took place on a plane coming back from my Dad's) is whether the beauty of averaging is shining here - or whether the step down in barrel quality is apparent.


Which leads us to tasting these three:

Four Roses Small Batch 45% abv

A vatting of four of the ten mash/yeast combination recipes: OBSO, OBSK, OESO, and OESK
I confess the desire was stimulated by glowing reviews for the 2012 Limited Edition version:
http://recenteats.blogspot.com/2012/10/four-roses-small-batch-limited-edition.html
http://www.scotchandicecream.com/2012/11/10/overhyped-underrated/
http://sourmashmanifesto.com/2013/01/20/review-four-roses-limited-edition-small-batch-bourbon-2012/
http://sipology.wordpress.com/2012/11/09/four-roses-limited-edition-small-batch-2012/


Well - this is the plain jane regular edition (for less than 1/3rd the price). This has been on my list for a long time ever since Paul Pacult gave it strong marks. I didn't need "the best bourbon you ever tasted" in my father's cabinet. Just a pretty good one:

Color: light golden amber

Nose: gentle acetone, floral notes of roses and daisies. Beneath this sweet and gentle corn ester quality lives the classic aromas of bourbon which mixes honeyed orange pith, stewed peach, apricot and musk. Deeper, there is gentle char. On the whole, pleasant but light.

Lightly honeyed apricot citrus caramel sweet on entry, with plenty of spirity bite. There some floral esters and solventy sweet as the midpalate expands with sandalwood and peppery herbal spice. There are plenty of herbal rye flavors from the high-rye mash bill components and a good measure of the fruity estery notes of the high corn mash bill component. The turn to the finish sees the effusive apricot-floral meets herbal spice turn to licorice bitters with a faint malty glow. There not a lot of oak in the back end and the finish is rather gentle and a tad brief.

It's all the flavors I love from the bigger Four Roses expressions, but with less density of flavor and more spirit heat. It comes off as a younger and less august version of Four Roses Single Barrel. Nice - and not a hardship to sip by any means, but not a grand slam when the Single Barrel is about $9 more. (The small batch is $26 at Shopper's Vineyard and Single Barrel is $37) Maybe the $9 will be worth it for you - but not for me. At the $26 price point I prefer Elijah Craig 12. But I grant this is quite competitive.

***


Michter's Small Batch Unblended American Whisky US1 41.7% Batch 4J3

I've had some lovely single cask Michter's - particularly the rye. But I had been meaning to try this less expensive bourbon (although it's the most expensive of this trio). Full disclosure, I've been a bit sore at Michter's for using the name of the venerable distillery without actually being a distillery at all - a topic treated at some length in Chuck Cowdery's excellent and highly recommended book The Best Bourbon You'll Never Taste. But I'll try to keep these feelings on the shelf and just focus on the contents of the glass. There are, somewhat confusingly, two "US-1" whiskies at the same roughly $43 price point: a white labelled "Bourbon" and this blue labelled "American Whisky". The difference is that this isn't legally bourbon because it was aged in, at least partially, used barrels, rather than just new. Given Scotch's extensive use of ex-Bourbon barrels with excellent results I have no bone to pick with this - just curiousity.


Color: Medium reddish amber

Nose: Solventy pine scented vegetal oaky perfumed. An odd skunky note I have come to associate with small barrel matured craft whisky. Underneath a pointed sweetness melding into corm peach citrus bourbon goodness. Fruity, skunky, oaky. An interesting nose.

Sweet, with prickly heat and a paradoxical soft water feel on the tongue. Oaky with a sawn lumber aspect reinforces the craft small barrel feel. Minty at the turn with a nice floral solventy aspect carrying through. This is nice whisky but comes off as s little young, a bit dilute, and perhaps has something done to enhance wood influence. Yet, bottom line, an interesting sippable bourbon that holds my interest and is certainly enjoyable drinking neat.

***

$43 at Shopper's Vineyard. I've noticed this powerful kiln-dried wood flavor before in some craft spirits. I wonder if Michter's is re-barreling vattings of mixed barrels back into their empties and then aging for a bit to up the wood influence. I have no idea, but the flavor profile gave me that impression.


Larceny KSBW 46%

John E. Fitzgerald est.1870
Very Special Small Batch

Cowdery praises the John Fitzgerald story for actually being true (unlike a lot of bourbon marketing tales). My issue with it is that nothing about Fitzgerald being a good judge of cask quality has anything at all to do with this particular whiskey. But it does put out the impression that there is barrel selection of some time going on. And maybe that's so.

Color: Medium Amber

Nose: Brown sugar, honey toffee corn mash oak. Citrus ester floral and light solvent. Very nice nose. A few drops of water amp the fruity notes (apricot, peach) and hints of cinnamon and mineral dust. Juicy. Complex. Interesting.

Powdered sugar - cane & corn. Flowery. Then a vegetal aspect of spicy herbals that reads of rye - but clearly isn't. The herbals dominate in the finish, which has aspects of herbal bitters. Solid tasty bourbon.

A drop of water softens the attack but sweetens the whole presentation and adds a whiff of cinnamon red hots while keeping the herbal finish. Very nice. This was all perfume and candy and spice. I was instantly smitten. A find! $33 a bottle locally (NYC). Maybe it really is a "very special" small batch.

****

I'm not a "wheater" guy normally - particularly inexpensive wheaters. But in this tasting, the Larceny won hands down. On the whole, however, this group isn't overly impressive. Knob Creek remains my favorite small batch.

Wednesday, January 30, 2013

An Evening Of Scotch & Chocolate

The spread - photography by George Gensler


This event went down Friday March 1, 2013 and it was a tremendous success and a great time.

Two remarkable blog posts chronicle this event from the perspective of the blogger's table in the rear of the room where some real fun was going on:

Allison Patel's remarkable set of epiphanies and very interesting observations:
http://thewhiskywoman.wordpress.com/2013/03/06/symphony-of-a-well-curated-tasting-event/

and Susannah Skiver Barton's epicurean perspective and razor sharp tasting notes:
http://whattastesgood.wordpress.com/2013/03/06/an-evening-of-scotch-chocolate/ 

As for me - I can't do much better than to paste the comment I added to the bottom of Allison's blog post:

"OMG – you got so much out that event, Allison (a whole lot more than I did – but perhaps that’s to be expected). Thanks so much for sharing your deep insights. Perhaps modestly you forget to mention the peak emotional moment of the night: When I saw that there was going to be adequate time I pulled out a bottle of Brenne. Allison cautions the house that Brenne is a delicate flavor and that it’s actually not such a good idea to serve it after Ardbeg Uigeadail (a titanic heavily sherried peat MONSTER at cask strength – perhaps one of the most richly flavored whiskies in the world – a palate killer) and right before Balcones Brimstone – an even more titanic palate buster. But Brenne STOLE THE SHOW. The room exploded with excitement. Not just about the story, and about the beautiful woman who had created the brand sitting in their midst, but about how incredible the whisky tasted and how incredibly well it paired with Pacari 65% Manabi. It was a delicious and, frankly unanticipated pairing success. It was a spur of the moment thing – I hadn’t even tried it going in – but the lovely creamy floral bubble-gum esters and apricot tangerine citrus flavors locked in a sensuous French kiss with the luscious dark alkaline sweet of the rich dark Ecuadorian chocolate. Half a dozen people demanded on the spot to know where they could buy this astoundingly silky feminine and succulent drammage. Deep personal secret – of the two bottles I had on hand, I had selfishly chosen to share the cask #264 and keep the cask #257 to myself because in typical “color-ist” fashion I thought the #264, being a shade lighter, wouldn’t be as delicious. As amazing as the cask #257 is however, I think cask #264 might be even better. It was astounding. Anyway – the whole event was a huge success – but you guys were really having the time of your life at that back table with Clay. The rule clearly is: “having Chocolate? Bring Clay”. I’m jealous! I was too busy blathering on – and I missed some of the best fun at that back table with you guys!"

Here follows the blog post as originally posted on January 30, 2013 announcing the upcoming event which went down March 1st:
-------------------------------------------------------------------------------------------------------




I've been preparing for months for my first public pro whisky event - a chocolate whisky pairing event with Pacari chocolate and some of my favorite drams to be held at The Morgan Library's Dining Room March 1st. The pairings went through a rigorous testing procedure to see what, in technical terms: "tasted good". The gist is that good whisky and high cacao dark chocolate have strong flavors. Many pairings of them can be dissonant, distracting, or just "ok". Some, rather unusual ones, however, can be genius. I wrote a bit in a previous post about the process of finding winners: http://www.cooperedtot.com/2012/10/pacari-day-of-triumph.html

Chocolate importer / expert Francisco X. Vivar helped flesh out the concept and is providing material support and expertise for this event. He will be a "celebrity presence" at the event as well.

Pacari Chocolate's Francisco X. Vivar helps explore the concept.

There were additional sessions, including one with Susannah Skiver Barton, of the epicurean food and whisky blog http://whattastesgood.wordpress.com/ and her husband Sanjay

Susannah Skiver Barton & Sanjay Barton working hard.

The spread. It's for research.
Susannah provided excellent and detailed feedback. She had a real impact on the selections.

I sadly didn't take pictures of the meeting where I demonstrated the selected pairings for key staffers of Restaurant Associates - the company that runs The Morgan Dining Room - the venue for the event. It was wonderful. At the conclusion, rapidly cleaning up, I took the unusual (read "desperate") step of vatting the dregs of all the selections except Hedonism. They were left to marry for a week. Tasting notes of this odd accidental vatting are posted on http://www.facebook.com/TheCooperedTot


Vatting all of them. Genius or idiocy?

The event is listed on http://nycwhisky.com - the essential resource for finding out about whisky events in NYC. The posted listing on nycwhisky reads as follows:

Notice - The event is currently SOLD OUT.

Friday, March 1, 2013 - 6:00pm
The Morgan Dining Room is delighted to present an evening of chocolate whisky pairing featuring award-winning gourmet Ecuadorian dark chocolate from Pacari and a carefully selected selection of fine whiskies curated and presented by Josh Feldman, blogger of The Coopered Tot
Friday, March 1st from 6:00pm to 8:00pm
The pairings are:

  • Glenmorangie Nectar D'Or – paired with Pacari Piura 70% regional varietal
  • Compass Box Hedonism – paired with Pacari Lemongrass
  • Glendronach 15 "The Revival" - paired with Pacari 65% Manabi regional varietal
  • Aberlouer A'Bunadh – paired with Pacari 65% Manabi regional varietal
  • Ardbeg Uigeadail – paired with Pacari Salt & Nibs
  • Balcones Brimstone – paired with Pacari Fig
This tasting takes place in an intimate venue in a historic New York City landmark. It will take place as a symposium and exploration with free exchange of impressions and experiences.
There is a fee for this event: $65 if reserved by February 20, $75 beginning February 21. Sales tax and staffing fee additional.
For reservations or inquiries please call 212-685-0008 x589
The Morgan Dining Room is located inside The Morgan Library & Museum
225 Madison Avenue, New York City
http://www.themorgan.org

This event should be a TON of fun. If you are going to be in NYC March 1st - come on by and catch my act.

Thursday, January 17, 2013

Tasting Mackmyra deeply: The IWSC European Distiller Of The Year

Mackmyra, the innovative Swedish distillery created by a group of friends following their dream at the end of the 20th century, is the IWSC's European distiller of the year for 2012. (Innovative Irish distillery Cooley had been the prior winner of that award for 4 consecutive years). Personally, I wasn't surprised in the least. I had just been tasting some of Mackmyra's Special releases and private cask expressions and had been thrilling to the rich and varied ways the unique flavor profile Master Blender / Master Distiller Angela D'Orazio had crafted - floral, piney, & mineral - had been manifested in stunning and august ways. It is extremely impressive how Mackmyra has crafted a completely new and unique flavor profile and is now taking this profile to elegant and refined heights. Part of this story is the uniquely Swedish ingredients that are used - including the use of juniper twigs in the fuel for drying malt, Swedish barley in the mash, Swedish oak contributing to the barrel management mix, and some barrels aging in Bodas mine - below ground level. Mine aging is cool aging - which is a way of keeping whisky warm in the cold Swedish winter. But Swedish aging is cold climate aging and that goes against the grain of other young whiskies making a stir lately which feature high temperature maturation such as Balcones in Texas, Amrut in India, and Kavalan in Taiwan. Cold climate aging produces a more delicate spirit. Given that most of the Mackmyra expressions reviewed here are around 5 years old, keep that in mind.

Angela D'Orazio - creative vision behind Mackmyra - with the IWSC Trophy

Yet, this award news may have caused some people in the USA to scratch their heads. The only expression for sale here is Mackmyra The First - a tasty, but decided light dram. It isn't the flavor dense monster that usually inspires major accolades and awards. (This link goes to my prior review of The First). The First had taken a while to show its charms to me. It takes time to bloom in the glass, and even then its charms are subtle. Yet these charms are deep (read that review linked above - it's about quiet gentle beauty), and it gets under your skin with time. The First has evolved into a beloved dram. Fortunately (for me) I had had the opportunity to meet with Jonathan Luks - Mackmyra's Country Manager for the USA and had obtained some samples of some exciting other expressions to flesh out my understanding of what they are doing (full tasting notes follow immediately below).

Jonathan Luks - Country Manager

Jonathan and I had a wide ranging conversation which has some very important implications for all American whisky enthusiasts - concerning an idiotic US trade restriction. And there's something concrete you can do about it right now. I had assumed that Luks was meeting with me in part to tell me about new expressions coming to the United States. But that isn't the case at all. There are no current plans to import new expressions to the US - and I was quite surprised to learn the reason: bottle size. Mackmyra bottles at the European and world standard of 70cl (700ml). The US forbids import and sale of bottles at this size. The US only allows certain specified increments of 1 Liter. Because our old size was 1/5th gallon and this is close to 750ml, so 750ml is our standard whisky bottle size. The First happens to be the airline duty free market expression for Mackmyra - so they already had a 1 liter bottling of it in production. Thus this is the only bottling they do that is legal for sale in the USA. They are not willing to take on the cost and expense of a special 750ml bottling for the USA market because the cost of retooling is high, plus demand for their juice is plenty high elsewhere, where they can sell the 70cl bottles they already make. Suddenly the fact that interesting single cask bottlings are rare in the USA became obvious. All those fascinating German, Belgian, and UK bottlings are 70cl! As it turns out there is now a petition on whitehouse.gov to change this rule. It reads as follows:

"we petition the obama administration to:

allow for 700ml (and other sized) bottles of distilled spirits to be imported for sale into the United States.

According to the "Code of Federal Regulations, Title 27, Section 5.47a, Metric standards of fill", only certain bottle sizes of distilled spirits are allowed to be imported into the United States. For example, that Section prohibits 700ml bottles, which is the standard bottle size for distilled spirits in most of the rest of the world. This prohibition reduces consumer choice because not all distilleries are willing to accommodate the 750ml bottle size required for importation into the United States. Furthermore, this prohibition increases the consumer costs, because distilled spirits have to be bottled specially for the US market. We are petitioning to have this regulation relaxed to allow for additional bottle sizes of distilled spirits to be imported into the United States."
https://petitions.whitehouse.gov/petition/allow-700ml-and-other-sized-bottles-distilled-spirits-be-imported-sale-united-states/C15PWSmY

You must register on the White House site to sign the petition - but it only takes a minute. I urge all US citizens reading this to do so.

An excellent blog post on the topic of US bottle size regulations is http://inebrio.com/thescotchblog/?p=442

To make matters worse, shipping regulations, always difficult in many States in the USA, have become even more complicated for the few of us who live in States where we can legally receive shipments from overseas. The UK has just classified whisky as "a dangerous substance" for shipping purposes. Gal Granov blogged about this today on Whisky Israel:
http://whiskyisrael.co.il/2013/01/17/whisky-idiocy-or-international-scotch-whisky-shipping-regulations-2013/


Part of why I'm so enthusiastic about changing these rules is the beauty of these Mackmyra expressions that you simply cannot buy in the USA:


Bruks (right), then Special 08, (2nd from right) then Special 06.

Brukswhisky 41.4% abv.

This is the entry level expression. Given that I already craved more richness from The First I was expecting to be disappointed in Brukswhisky. I wasn't.

Color: Pale yellow, Chardonnay

Nose: light vanilla orchid florals, juicyfruit gum, chalk mineral, lime pith, and a Sauvignon Blanc acid note.

Palate: entry is very light and has grassy sweet and berry tart in equal measure. Initially a tad thin. Spirit heat, grain, and a gentle musky dusky note, full of fruits and skins, that's rather nice. It's very young and light whisky - but it has a measure of elegance and tasty drinkability very close to on par with The First. A lovely light and fairly dry dram that's right for before dinner or hot weather.

***

Mackmyra Special 06 46.8% abv. "Summer Meadow"

Aged in both ex-Bourbon and ex-Sherry casks.

Color: pale straw

Nose: Deceptively sweet and light at first sniff, there are depths which unfold and lure you in. The dominant impression is floral pear. The floral aspect is a light heathery baby's breath with powdery notes of talcum and deeper roses and even plum skin further off. The pear is a big swelling freshly cut green Anjou with sweetness, tartness, and rich estery perfume all the way home. Deeper down, where the roses lurk, are hints of flinty mineral and animal warmth in the musky traces. The gentleness invites you to nose deeper and as the aroma builds it keeps iterating in complexity. Lanolin and ambergris, raspberry, and mountain thimbleberry. Rose hips and white currant. There is also an animal aspect to the muskiness that melds with the sweet fruity floral to yield a pheramonic thrill that's almost sexual. I've never had this experience before. This is a luscious and unusual nose - yet one clearly kin to the "regular" Mackmyra expressions.

The palate entry is light as a feather and balanced between acid and sweet like a white wine. Asian pear, honeysuckle, pear and gooseberry flavors yield to gypsum rock and Chenin Blanc. The finish is similarly light: mineral, berry and slightly herbal- like you've quaffed a well made French 75. It is a nice palate, but can't quite live up to the glory of the nose.

Add a couple of drops of water, however, and watch out. The palate's shyness unleashes a stinging raspberry zinger of enriched mouth feel, up front sweetness, mid-palate spicy heat. The floral juicy pear stays intact and the mineral note creeps up and you get enough intensity that it becomes a clinic on the Mackmyra flavor profile: floral, berry, acid, mineral: wine-like and refined. It's glorious.

*****

Mackmyra Special 08 46% abv. "Handpicked"

From the web site: "This whisky is made from our Elegant recipe that has been matured on a mix of bourbon casks, sherry casks and casks made of new Swedish and American oak and finished on French Sauternes cask."

Color: Pale Gold

Nose: Intensely floral and berried: Strawberries, lilacs, lilies, some lemon-orange citrus, distant roses, and a bit of Juicyfruit gum. Powdered mineral (talc or gypsum) and some salty musk lurk underneath. Like the Special '06 - it's feminine, luscious, and very sexy.

The palate entry is extremely light yet beguilingly floral, sweet and perfumed. There's a potent spicy spirit kick and a jolt of acid and berry flavor at mid palate with rose hips, white grape, white wine, and a hint of patchouli. Then rock dust, and juniper scented herbal bitters gradually wax. The finish is light and gentle with malty juicyfruit glow and faint berry.

Adding a few drops of water increases the flavor amplitude and slightly thickens the mouth feel. Spicy zinginess and fruit acids redolent of rose hips and blueberries enliven the otherwise shy mid-palate. Floral perfume, rose hips, white pepper, white wine, talc, and and broad and easy finish with juicyfruit gum turning to juniper pale malty glow.

It's another stunning tour de force of characteristic Mackmyra flavors: delicious, feminine, and unusual. Somehow delicate and light while being fresh, and acidic enough to set your mouth buzzing.

*****

Mackmyra Begnt B1 49.8% 5ar

I asked: "The sample labeled "Begnt B1 49.8% 5ar" is what? Was that the private cask?"

Luks replied: "It means that it’s a sample of our private cask program named Mackmyra Reserve. You customize your own whisky and have different options regarding, oak type, recipe, name, warehouse etc. I enclose info about our latest and most popular potion, the gravity cask. We have very limited info on our English website regarding the cask program because we haven’t launch this outside of Sweden yet but we working on it. http://mackmyra.com/the-experience/mackmyra-reserve-2/
This sample is from our elegant (not smoky) recipe on a bourbon cask. Its five years old and the alcohol is 49,8 %"


Color: Light Amber with golden notes.

Nose: Floral estery white pear Toffee, sultanas, mild olorosso sherry? floral Strawberry jam? sour berry, roses, and rich underlying bourbon, and earthy musky animal.

Huge opening. Toffee, honey, white grape, white pear, white tea, toffee and oak. Delicate at the turn. Strawberry, white currant, more flowery and acidic white grape. Oak in the turn and juniper berry, cedar, white wine and cherry malt glow in the finish.

Begnt is another delicious dram and is a stunning example of the flavor complexity of the underlying distillate and the sweet impact simple ex-Bourbon cask aging .

****

Elesvek Forlagvad (left), Begnt (second from left)

Mackmyra 69r Elesvek Forlagvad 57% abv.

Of this Luks says: "This sample is our pre-matured recipe which means that we have stored the whisky first in 200 liter barrels for three years and then we put the whisky into a virgin Swedish oak cask. This is also our unpeated recipe"

Color: rich coppery amber with henna glints

Elesvek Forlagvad 57%
Nose: Warm, complex and rich with a big floral rosy perfume swirled with strawberry acid, bourbon (and bourbon's apricot citrus), blueberries, honey, hazelnut, cocoa, juniper, and estery Spey fruity notes of white pear and green melon. Luscious and complex: a thicket to luxuriate in and take time to tease out. The admixing cocoa and berry toffee reads "sherried" even though the notes say nothing of it.

The entry is sweet and rich too. Toffee, strawberry, bourbon-cognac citrus sweet radiate in the opening. The midpalate is drying, leaner and more restrained, but blooms with herbal and mineral sophisticated notes, sandalwood oak perfume, radiant heat (this is 57%). The turn to the finish is remarkable gentle, cherry flavored and malty. There is effusive and well balanced oak mixing with the radiant berry scented cherry malt glow in the finish. This is an elegant panther: lean, elegant, and yet powerful and lush at all phases of the game.

A few drops of water ups the radiance of the berry flavors and increases the youthful acidity, both in the nose and the palate. The strawberry quality becomes darkly vinous - sherried. The sherry flavors are fantastic played against the Mackmyra flavor profile notes of acidic berry, juniper, floral vanilla oak and white wine minerality. Glorious.

*****

In Sum...

Whisky is famously just barley, water, yeast, wood and time. Mackmyra takes Swedish versions of these, adds the conifer flavors of the far North via juniper twigs and the result of these novel ingredients is a novel flavor profile that meaningfully expands the whisky canon. This flavor profile has austere aspects (mineral, acid, and lightness), but it also has bewitching beautify (floral, berry, sexual musk).  The impressive thing for me - in tasting these - all examples of the "elegant" or unpeated variety of Mackmyra - is how varied and interesting this single distillate has been made via a variety of barrel management and handling practices. The careful and deliberate crafting here is evident.

The conclusions, for me, are these: 1) Mackmyra is a dynamic and interesting distillery to watch. The unique flavors are distinctive and mesmerizing 2) Angela D'Orazio is a gifted distiller and blender with a terrific palate. 3) The USA is the poorer for our 750ml import restriction for whisky because it is a barrier that keeps interesting new whiskies like these out.



Wednesday, January 16, 2013

Dewars 12 vs Johnnie Walker Black - Beauty or Poise


Dewar's 12 is one of the "101 Whiskies You Must Try Before You Die" according to Ian Buxton - and it turns out to have something compelling to offer. But I didn't, until recently. Why? I'm guilty of "entry-level preconception". It goes something like this: ten years ago I'm on a long flight. The airline cart only has a couple of whiskies on offer and Dewar's White Label is the one I pick. I spend the next hour trying to dig out some malt satisfaction drinking it neat - and fail and bitterly write the entire Dewar's line off. The Dewar's brand became conflated with the shortcomings of the entry level offering which is really just meant for mixing. If I had had Johnnie Walker Red Label that evening instead I might have written off the whole Johnnie Walker family too, I guess.

Buxton makes the point in "101 Whiskies" that Dewar's has upped its game under current management.  I took his word for it.  I had already decided to give Dewar's 12 a whirl and had tasted a dram. I found its nose beguiling. Later that day I attended a lovely dinner party at my friend Gurinder's house. As the evening wore down a bottle of Aberfeldy 12 came out. Lo and behold, here was that same beguiling nose, with an added richness to boot. Honey and heather with some lovely soft pineapple-apricot fruity nature. The concordance between the Aberfeldy and the Dewar's 12 was striking. In fact - that's the main "problem". Over on straightbourbon.com there was a thread a couple of years ago titled "Johnny Walker Black or Dewar's 12 yr.". ABV quipped: "I'm pretty happy with both but the Dewar's makes me want to go drink Aberfeldy while the JWB doesn't". Aberfeldy usually goes for around $45 here (NYC) and Dewar's 12 is usually $35. At Shopper's Vineyard now, in the post holiday sale mode, Aberfeldy is $37 and Dewar's 12 is $30. That slim price difference easily justifies the slightly richer Aberfeldy 12 over the Dewar's 12. But both are very good. And there are plenty of times when Dewar's 12 is handy and the rare Aberfeldy 12 isn't. And the question at hand is, if the choice at the bar is Dewar's 12 or Johnny Walker Black - a very likely scenario in this big cold world - what's the choice?

Dewar's 12 (left) Johnnie Walker Black (right)

Dewar's 12 40% abv.

Color: Full Gold

Nose: honey, paraffin, heather, and a whiff of some estery fruity florals: green pear, white melon, baby's breath. It's a light but lovely aroma. It's strikingly like Aberfeldy 12 - but a tad less rich.

Honeyed, sweet, and beguilingly malty on entry, Dewar's 12 strides boldly. The mid-palate adds warm and tasty notes of baked oat cakes with butter and clover honey with a slathering of marmalade that adds candied citrus notes and the waxing verge of citrus pith vegetal bitter. Light, warm, floral and frankly full on decent. The grainy note that marks this a blend shows up at the turn to the finish. It's at the moment where the sweet waxes into wood or bitter notes in many drams. Here, it's malty melding into a younger grain note. The finish that follows is brief, gentle, and warmly malty. After the excellent nose and entry it's not a gourmet experience - but it's not offensive either. This blend succeeds in satisfying my malt whisky monkey bone and is a potent weapon in the arsenal.

*** and a high 3 stars indeed.


Johnnie Walker Black Label 40% abv.


Color: full gold, a hair darker. Doesn't mean much as both products are colored with E150 caramel coloring.

Nose: Gentle floral esters, white melon, toffee, and vanilla perfume with a bit of citrus acid and a pickle note from faint iodine and a whiff of putty peat. Later there are some wood notes and a little hint of mint.

The palate entry is sweet and creamy with malt, toffee and, heather. The mid palate brings a gentle spirit heat but also a solid cereal grain note and bit of peat smoke. The transition to the finish brings in oak vanilla notes and a sense of the wood. Very well integrated, the blend is seamless and doesn't betray an underlying grainy flavor at all.

***

Head to head, it's a little bit of a conundrum. The Dewars 12 has more wayward spirit heat and more of the unwelcome flavors of not fully matured grain whisky peeking out at the end of the mid-palate and into the finish. Johnnie Walker Black Label enjoys a smoother, better integrated, and more convincingly blended presentation. However, the Dewars has a much lovelier, more richly fragrant nose. It has the sweeter entry and the superior flavor density through the mid-palate. The Dewars' bit of untidiness in the turn and the finish doesn't erase the exhuberant power and sweet thrill of what comes before. On the whole, Dewar's 12, in the current incarnation, is a richer and more involving whisky drinking experience - and I find that, for me, this gives it the edge. It's not a clean cut or across the board win in the least. JWBL is a composed and elegantly black dressed lady with comportment and breeding. Dewars 12 is a sprightly blonde with bouncing curls wearing a beautiful if slightly messy white crochet. Which you'd rather be with is highly dependent on mood. Dewars should be commended for crafting a blend that captures the soul of Aberfeldy. Johnnie Black for crafting a blend so seamless it's not easily apparent precisely which of it's many signature is foremost at all.


Johnnie Walker Black remains a touchstone of value for me. I frequently compare it to other blends and entry level single malts and it usually wins. Here are links to other posts on this blog on the topic:

Johnnie Walker Black Label Versus Chivas Regal
Johnnie Walker Black and Johnnie Walker Red review compared head to head.
Great King St. Artists Blend is a solid effort. Is it a Johnnie Walker Black and Chivas killer?
Glenrothes Select Reserve compared with Johnnie Walker Black Label



Friday, January 11, 2013

Boozeandinfused blog's banana infused Bourbon Old Fashioned.


A few months back G-LO from It's Just The Booze Dancing... blog (http://boozedancing.wordpress.com/) told me about this incredible blog where these nice ladies were geniuses at infusing whiskey (and other spirits) with incredible flavors - which was incredibly easy and fun. Their blog is called http://boozedandinfused.com

Now G-LO had infused some banana bourbon and that sounded like a good idea to me too. He and I and Alicia, the author of the recipe on boozeandinfused discussed how to do it and then, what you'd do with it. Alicia promised a cocktail recipe. G-LO said he was mainly drinking his straight - but ideas for some very sweet cocktails himself. In the end, however, no formal cocktail recipes came out of it. At first, after I made the bourbon, I had a sip or two - but it didn't blow my socks off by itself. Eventually I came up with the cocktail that follows. I'm not a cocktail guy - so I'll tell you right now, this is a simple whiskey Old Fashioned. Just, it is so delicious that it will make you cry. I had the idea of posting about it after seeing the following cartoon memed all over the place lately:


I ended up replying to a google+ thread that I couldn't abide by the message of this cartoon because I needed to make Manhattans and Old Fashioneds sometimes. Then I gave this recipe and I thought "I should really make this official". I've been meaning to write it down for ages.

Boozeandinfused blog's banana infused bourbon Old Fashioned


It only has 4 ingredients:

  1. The banana bourbon you'll make by following the instructions here: http://boozedandinfused.com/2012/06/05/banana-bourbon/
  2. Dr. Adam Elmegirab's Aphrodite Bitters This is very important. These are amazing, complex, significantly cacao flavored bitters. See http://bokersbitters.co.uk/aphrodite_ver2.html
  3. Turbinado Sugar (i.e. raw cane sugar). I used this.
  4. Ice

Preparation Steps

i) About a week or two before you want to have your drink cut up a few ripe bananas into a mason jar. Well cover them with whatever bourbon you choose. I used a 375ml flask of Wild Turkey 101. Allow to infuse for days or weeks. Periodically shake it to agitate.

ii) When done infusing (i.e. when it smells really really good to you) pour the whisky through some doubled up cheesecloth to strain out the solids and then decant back into the original bottle.

iii) take 1 tsp. Turbinado sugar (raw cane sugar - which is brown - but isn't "brown sugar"). I got mine at Trader Joe's. Dissolve in a few tsps of boiling water.

iv) Add a couple of ounces of your home made banana bourbon.

v) Add a few dashes of Dr. Adam Elmegirab's Aphrodite Bitters

vi) Fill with ice cubes, stir well, and enjoy.


This was so buttery rich and delicious I can't even begin to tell you. The sweetness and richness of the cane melds with the banana and bourbon like pecan pie. The cacao flavors of the Aphrodite bitters enriches and reinforces the sweet and rich and adds a needed edge that keeps it from being too sweet or cloying. It's not a chocolate-banana combo flavor like you might be thinking - although both those flavors are present (although in a bit drier form than you'd think). The Aphrodite bitters are subtle and complex - less "chocolate" than cacao nibs and herbs. Seriously. You'll thank me for this later.



Wednesday, December 12, 2012

The Morgan Library's First Whisky Event: with Gordon & MacPhail

Chris Riesbeck, Gordon & MacPhail Brand Ambassador, presents in The Morgan Dining Room
The Morgan Library is a little gem of a museum and archive - more a jewel box treasure, really. It's not as well known as it deserves to be - in a New York City dominated by gigantic museums. It's financier JP Morgan's private residential library building - a grand beaux-arts masterpiece of turn of the 20th century architecture and a group of related buildings and exhibition halls that house one of the greatest collections of books, manuscripts, and drawings on the planet. The Morgan seems to continually reinvent itself through the ages. I remember the lovely verdant atriumed Garden Court being the venue of choice for work-time lunches with older relatives. The recent Renzo Piano designed incarnation is bigger, more monumental, if a bit colder. One of the cool things about the recent renovation, however, is that the dining room of Jack Morgan (JP Morgan Jr.)'s house has been made into the formal dining room of the The Morgan's concessionaire, Restaurant Associates. The Morgan Dining Room, as it is known, has period details, including JP Morgan family portraits. It's a cool place to eat, atmosphere-wise, and the food is pretty good.

I was very excited to be able to play a small role in RA's decision to begin hosting whisky events. Given JP Morgan's titanic reputation as a lover of fine liquor and cigars it seems particularly apt. I get the feeling that JP Morgan probably chose cognac more often than whisky in venues like The Morgan's fabulous East Room, but David Wondrich stated (in Esquire):

"When properly built, the Manhattan is the only cocktail that can slug it out toe-to-toe with the martini. It's bold and fortifying, yet as relaxing as a deep massage. J.P. Morgan used to have one at the close of each trading day."

The Morgan's fabulous East Room
At the advice of Michael Strohl of Lauber Imports RA got in touch with Chris Riesbeck of Gordon & MacPhail for the first event. Patricia Japngie of RA asked me what I thought. I was able to whole heartedly assent. Gordon & MacPhail is the oldest and most important independent bottler of Scotch. Not only do they have many bottlings of astounding quality, they have played an important role in bringing single malt expressions of distilleries that normally sell their output for blends. They also provide a deep repository of vanished distilleries and important whisky history in their vast Elgin warehouses.

It was originally scheduled for Friday November 2, 2012 - but that ended up being the week that Hurricane Sandy dealt such devastation to the Northeastern part of the US, and the New York metro area in particular. On that date The Morgan was without power - along with the rest of Manhattan from south mid-town down. But life goes on, and the event was rescheduled for Friday, December 7th 2012. Chris Riesbeck, the US Brand Ambassador for Gordon & MacPhail presented six excellent drams. I was privileged to make the introduction. I spoke about how The Morgan Library is a repository of knowledge's past and that Gordon & MacPhail fulfills this role for whisky. I said that I met Ardbeg and Caol Ila during those distillery's hiatuses via G&M issues, and that distilleries such as Glen Moray, Glentauchers, and Interleven were known almost exclusively from their G&M editions.


The selections that night were:

In order, from left to right
Connoisseurs Choice Clynelish 11 1999-2010 43%
Connoisseurs Choice Jura 1997 12 46%
Benromach 10 43%
G&M Old Pulteney 21 46%
G&M Imperial Port Finished 15 46%
G&M Cask Strength Caol Ila 1999 61%

The tasting notes follow. I had some special guests at this event. Dr. Peter Silver, the Jazz Dentist, Malt Maniac and PLOWED member was on hand. This is a guy who seriously knows his whisky. We also had Susannah Skiver Barton, blogger of http://whattastesgood.wordpress.com/ Also in attendance was Kate Massey, who blogs http://thewhiskeydame.com/

Top: Kate Massey, The Whisky Dame (left), and Susanna Skiver Barton of What Tastes Good chat with Malt Maniac Dr. Peter Silver. Bottom: Chris Riesbeck (left), Michael Strohl of distributer Lauber Imports, and Dr. Peter Silver
I also had the opportunity to meet some other lovely people. Highlights include noted Star Trek author and SciFi impresario Keith DeCandido and Belgian whisky enthusiast Jonathan Cornelus.

But the main attractions were Chris Riesbeck, who impressed me with his enthusiasm, knowledge, and polished delivery, and, of course, the Gordon & MacPhail whisky. Part of the G&M story is that they make arrangements to have distilleries use their own casks so their barrel management decisions start at the moment of fill. Ranging across the bottlings we see clear strategic thinking in evidence in barrel management. Some expressions are aged in old tired sherry cask. Others in sugary first fill ex-bourbon. Staves are recoopered from American Standard bourbon barrels (200 liters) into larger hogsheads (225 liters) in another bottling to reduce surface area contact for longer maturation. Benromach is aged in bourbon cask and then finished in cream sherry. This type of variety in barrel management shows a clear conscious attempt to tailor barrel management to achieve desired ends. None of that means a thing if the whisky isn't delicious, of course. My experience, however, is that G&M whisky usually is. This event's selections were no exception:


Connoisseurs Choice Clynelish 11 1999-2010 43%
Color: Very Pale Gold
Nose: Surprisingly rich with paraffin wax, rich estery melon, salt tang, and a slight whiff of peat.

Palate: Honeyed floral sweet entry with a silky mouth feel. Waxy, estery rich with a tang of acid at mid-palate abd wafts if the sea at the turn. Riesbeck reports the casks used as "Very old refill sherry". No sherry flavor was in evidence, which lets the distillate's flavors shine. This is a really nice example of the Brora-like flavor signature that the really good Clynelishes have. There is a freshness and a rich estery quality here much more marked than in the 14 year OP expression.

*****


Connoisseurs Choice Jura 1997 12 46%
Color: Extremely pale jonquil.

Nose: Gently floral with buttery notes and some pear/melon fruits.

The palate is surprisingly potent estery fruit basket with maritime salt, and a marked vegetal aspect which Riesbeck evocatively called "grilled Jalapeno". Of course, once he said that, you couldn't help but taste it. Also refill sherry cask - clearly very old multiply refilled casks. The flavors here are markedly richer than the OP10. The flavor density is close to the excellent OP16, although the signature is younger and fresher. Also interesting is the very pale color. OP expressions of Jura are all caramel colored and run a light amber. I got the feeling that we were privileged to see what Jura "really" looks like here (granted that color is almost always determined by barrel management when coloring isn't used). I found the pale color when combined with the rich flavor beguiling.

****

Old Pulteney 21 - 46%
Color: Gold
Nose, richly floral with a big vanilla component. Honeysuckles, butter, and salty air.

Palate: Huge creamy vanilla floral opening with a big melon estery hit. The mouth feel is silky and rich. At mid palate the floral and fruity sweet shifts into maritime salt tang, firm malt, and a bloom of gentle oak. The turn to the finish dials up the ocean air. Superb - and the consensus here is that this, with its cleaner pure bourbon oak cask aging is superior to the OP. Aged in refill American Hogshead (the standard barrels are resized to hogsheads to optimize the barrel size for long maturation). This was a real highlight.

*****

Benromach 10 43%
Speyside, peated malt aged 80% of the time in bourbon cask, then the last 20% in first fill cream sherry.

Color: old gold, with amber glints.

Nose: peat and herbal iodine meets mossy grassy malt.

Palate: Benromach 10 delivers on the score of mixing the traditional Spey flavor elements of fruit basket and gentle peat. There is some lovely vanilla floral on the opening. Then a gentle expansion with estery Speyside fruits. The peat shows up at the tail end of the mid-palate and drives through the finish. It's wonderful stuff.

****

Imperial Port Finished 15 46%
Color: amber

Nose: sandalwood, cantaloup, and earthy musk.

Palate: Port driven Spanish figs and loamy earth and moss. Sherried sweet opening, with that cocoa thing going on. Musk melon and apricot bark drive the mid palate. There's plenty of musk and loamy must and oak tannin in the turn. Then a long oaky and port wine finish that I found satisfying. Organic, earthy, yet with pretty good amplitude. This is my first Imperial - and it's very compelling. Aged 10 years in refill sherry then the next 5 years port pipe. In the denouement of the evening I wasn't above scavenging an additional dram of this off another table!

****


Cask Strength Caol Ila 1999 61%
Color: pale gold with olive glints.

Nose: Earthy damp tobacco, iodine, musk.

Palate: big and rich with unusually full mouth feel. The opening is sweet with tons of vanilla and intense wood sugars from first fill bourbon cask and a hint of mint. The expansion is classic Caol Ila with iodine, band aids (but in a good way :) and rich maritime sea airs. The finish is long, malty and peaty. Very familiar, but rich and well balanced.

****

Bottom line here: Gordon and MacPhail shows a midas touch in getting excellence out the distillate. These are all whiskies I really enjoyed. Many of them clearly outshine the distillery's own expressions - which is a remarkable feat and a testament to the expertise G&M brings to the table.

A bunch of happy campers.

This event was clearly a success. It was sold out, entertaining, and featured a very nice group of special drams. The folks who attended clearly had a good time. That bodes well for future whisky events at The Morgan. So does the fact that RA purchased the Glencairns rather than rented them. As it is, I am scheduled to lead a whisky-chocolate pairing event there on March 1st, 2013. I hope you can attend.